‘Waco’ World Premiere

Last night, Annika attended the world premiere of her latest project, ‘Waco,’ a 6 part series on the new Paramount Network (formerly Spike). The miniseries tells the story of the Waco siege in 1993 and chronicles the standoff between authorities and David Koresh’s religious community. ‘Waco’ premieres tomorrow January 24th at 10/9c on the Paramount Network. Below are photos from the premiere event.

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Last Week of “Our Town”

This is your last week to catch Annika in “Our Town,” which closes this Sunday, October 22nd at the Pasadena Playhouse. The remaining performances are:

  1. Thursday, October 19th at 8:00pm
  2. Friday, October 20th at 8:00pm
  3. Saturday, October 21st at 2:00pm and 8:00pm
  4. Sunday, October 22nd at 2:00pm and 7:00pm

For tickets, click here. Read below to see what critics are saying about Annika’s performance in “Our Town.”

Pasadena Playhouse. 2017. Our Town. Photo: Jenny Graham.

The cast is exceptional, with Marks and Wailes epitomizing the strong, no-nonsense women of character and backbone who tirelessly kept their families on track at the turn of the century.
Ellen Dostal, Broadway World

Annika Marks plays Mrs. Webb with a no-nonsense New England brusqueness.
-Charles McNulty, Los Angeles Times

Standout acting by Wailes and Marks as neighboring housewives…
-Jordan Riefe, The Hollywood Reporter

As the children’s mothers, Alexandria Wailes and Annika Marks are a warm and loving presence.
-Jonas Schwartz, TheaterMania.com

Annika Marks makes Emily’s mother practical and loving.
-Frances Baum Nicholson, The Stage Struck Review

Wailes-&-Arcilla and Marks are mothers every child wishes he or she could call Mom.
-Steven Stanley, StageSceneLA

Interview: Annika Marks from The Last Tycoon and The Fosters

Annika Marks was born in Sweden and has traveled the gypsy lifestyle finding residence in Washington, New York, and California where she now lives.

A born artist putting on family performances as a little girl, Annika began her acting career in 2001 and it boomed with her role as Amanda in the movie, Sessions (2012); winning her the Special Jury Award. It was a blessing and a sign, as prior to that incredible acting performance, she thought the stage was a better fit for her. The roles in Grace and Anguish helped propel her career in movies until she was offered a short-term role on the television show, The Fosters.

Annika was not only surprised that she would continue her character as Monte Porter, but felt very grateful. She talks about feeling as though she became a member of the family as the seasons continued and she “could not be more proud to be part of something with these messages (LGBTQ).”

She also has been more than happy to be part of the new show, The Last Tycoon, with Kelsey Grammer. She plays Bernadette Davis who is Monroe Stahr’s sister-in-law by marriage. Another character that Annika was able to parlay into a continuing role as she was only initially contracted for the pilot.

Outside of her remarkable acting abilities, she does a lot for kids who age out of foster care and are now on their own with no help from family members. She is also very active in the organization called HAMOMI. They do a lot of work that improves the lives of orphaned and vulnerable children in Nairobi, Kenya.

Continue reading at Hidden Remote

“Our Town”

Annika has joined the cast of “Our Town,” an upcoming play at the Pasadena Playhouse, starting September 26th.

Pasadena Playhouse and Deaf West Theatre have announced the cast and creative team for a new production of Thornton Wilder’s classic American drama Our Town.

Directed by Tony nominee Sheryl Kaller (Next Fall, Mothers and Sons), the co-production, performed in both American Sign Language and spoken English, will begin performances September 26 prior to an official opening October 1 at the Pasadena Playhouse. The limited engagement continues through October 22.

As previously reported, multiple Emmy nominee Jane Kaczmarek (Malcolm in the Middle, Lost in Yonkers) will star as the Stage Manager. The cast of deaf and hearing actors will also include Deric Augustine (Queen Sugar) as George Gibbs, Harold Foxx (The Actor Whisperer) as Howie Newsome, Sandra Mae Frank (Wendla in Spring Awakening) as Emily Webb, Russell Harvard (Tribes, Fargo) as Mr. Webb, Emmy nominee Dot Marie Jones (Glee) as Mrs. Soames, Troy Kotsur (Spring Awakening) as Simon Stimson, Annika Marks (The Model Apartment) as Mrs. Webb, Sharon Pierre-Louis (Lincoln Heights) as Emily Webb, Alexandria Wailes (Spring Awakening) as Mrs. Gibbs, and Jud Willford (Wicked) as Mr. Gibbs.

Rounding out the ensemble are Drama Desk Award winner Marie-France Arcilla, David Gautreaux, Leonard Kelly-Young, Ivan Martinez, Amanda McDonough, On Shiu, and Natasha Ofili.

“I wanted to kick off the Playhouse’s Centennial Season by revisiting one of the greatest plays ever written, one that was originally produced here at the Playhouse in 1939, just a year after its world premiere,” said Pasadena Playhouse Producing Artistic Director Danny Feldman in a statement. “By partnering with our friends at Deaf West Theatre, together we are creating a thrilling opportunity for our community to experience this timeless classic in a profound new way.”

“The play is a touchstone of American theatre,” added Deaf West Theatre Artistic Director DJ Kurs. “It’s thrilling to adapt one of the classic works of the American stage with a director like Sheryl Kaller and a cast of this caliber but also to perform it before an audience that, more than ever, is unified in an understanding and appreciation of the possibilities of a bilingual staging in American Sign Language and English.”

The creative team also includes choreographer David Dorfman, scenic designer David Meyer, costume designer Ann Closs Farley, lighting designer Jared A. Sayeg, co-sound designer Leon Rothenberg, co-sound designer Jonathan Burke, associate director Srda Vasiljević, ASL masters Joshua Castile and Jevon Whetter, and production stage manager Jenny Slattery.

Tickets, priced $25–$92, are available online at PasadenaPlayhouse.org, by phone at (626) 356-7529 or by visiting the Pasadena Playhouse Box Office, located at 39 South El Molino Avenue, Pasadena.

Source: Playbill

Pop-Culturalist Chats with Annika Marks

Annika Marks is hardworking and talented—a winning combination for Hollywood. Not only is she an actress, but she is also a writer and a producer. She creates her own original content and acts in things like the popular TV show The Fosters and the new show The Last Tycoon. Needless to say, we were excited to chat with Annika about all the work she’s done and what she hopes to do in the future.

P-C: Tell us about The Last Tycoon and how you got involved with the project.
Annika: The Last Tycoon is based on F. Scott Fitzgerald’s final unfinished novel and takes place in 1936 Hollywood. The characters of Monroe Stahr, the golden boy executive, and Pat Brady, the studio head, are loosely based on Irving Thalberg and Louis B. Mayer. I’ve known Chris Keyser, who partnered with Billy Ray to run The Last Tycoon for over 10 years, and he initially brought me in to read for Kay Maloney, the sole female writer at Brady-American Pictures. I met Billy Ray at that session. They hired the brilliant team at Bialy/Thomas to cast this project and together they created the safest audition environment imaginable. I felt so nurtured, respected and loved in that room—and once I was on set I realized that every actor who read for Billy had the exact same experience. They cast the incomparable Kerry O’Malley for Kay and I was lucky to have them reconsider me for the role of Bernadette Davis, the wife of Dex Davis, another writer on the lot. Dex is also Minna Davis’s (Monroe’s deceased wife) brother, so the role came along with a complicated history, and I couldn’t have been more thrilled to get the call!

P-C: Were you familiar with the source material prior to your audition?
Annika: I was familiar with the material. I had a Fitzgerald obsessed phase when I was younger. But I revisited the novel during the pilot and was shocked at how little I remembered. It’s a really interesting read because it was unfinished, and you get this insight into Fitzgerald’s mind sifting through his notes. It’s an intimate read that way and makes for a beautiful, creative adaptation. I think Billy and Chris did a tremendous job of honoring the text while also imagining the world surrounding it and extending from it.

P-C: How do you get in the head shape of a character who experiences a huge personal tragedy with her husband? How does that affect your character throughout the series?
Annika: The pilot was tough, but tough for an actor is also exciting because being challenged is imperative to continuing to grow. There’s nothing that scares me more than artistic complacency. I had lost someone close to me a couple months before and, although it wasn’t my romantic partner, the finality of it was very present for me. I was able to tap into that without having to reach for it. I was more concerned with bringing all of Bernadette’s circumstances to set with me—her husband (who she knew was frustrated, but didn’t realize was suicidal) killed himself, she hasn’t slept and then she’s discovered he’d been abusing drugs and there was no way Monroe was unaware—the anger, the grief, the hysteria, the refusal to imagine that I could be part of it, and the need to blame someone. I was trying to hold all of that in my head and in my heart and the longer we shot that scene for, the more dehydrated and exhausted I was, the bigger headache I had. That all made the scene easier because that’s how she feels. I also had the honor of working with Matt Bomer—who I can’t say enough amazing things about. He is so generous and so present. And Billy Ray was directing, who is the most loving, passionate, inspiring leader imaginable. So, I was very lucky to be doing vulnerable work in a very safe and creatively full space.

Continue reading at Pop-Culturalist